After Galway 2020: what European Capitals of Culture still buy an Irish city A European Capital of Culture is not a year of posters. It is a Union action under…
Irish podcasts as a European export: audio that travels when the schedule does not A European commuter who has never opened RTÉ Player has often already heard I…
Forward look: Ireland’s European screen system after the 2026 policy cluster A European reader who has followed Ireland’s screen and media file through 2025–202…
Diaspora screens: how Irish film festivals abroad build a European (and transatlantic) audience An Irish film that never plays a Tuesday in suburban Dublin can…
African and Black Irish creators in Ireland: the census, the forms, and the European room MSMN’s earlier African-storytelling piece asked how demand, diaspora a…
Second-generation Irish audiences in Europe: citizenship, habit, and the missing shelf MSMN’s earlier diaspora-festivals piece asked how Irish film weekends tur…
Irish music and festivals on the European live circuit A European summer now has an Irish date in it even if you never fly to Stradbally or Sligo. Irish artists…
Who owns the Irish story? IP rights after the DSM Directive A European viewer who finishes an Irish drama, a TG4 crime series or a Cartoon Saloon feature is con…
Ireland’s documentary boom and the European festival-to-living-room path A European living room now treats non-fiction as a default genre. True-crime series, ce…
Locarno, Berlin and Cannes: the buyer map Irish films actually travel A European viewer meets an Irish film as a title. The industry meets it as a calendar. Feb…
Irish live venues, collecting societies, and the Brexit touring bill MSMN has already filed the festival half of Irish live music: IMRO’s billion-euro habit, fi…
They arrive through global streamers, free ad-supported channels on smart TVs, music documentaries that travel as widely as pop itself, and city festivals that…
5 days ago
· 7 min read
· By MSMN Newsroom
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