Irish podcasts as a European export: audio that travels when the schedule does not A European commuter who has never opened RTÉ Player has often already heard I…
Independent Irish television: Sound & Vision, the 7 percent, and the schemes that actually commission A European reader who thinks Irish television is “what…
Forward look: Ireland’s European screen system after the 2026 policy cluster A European reader who has followed Ireland’s screen and media file through 2025–202…
Irish public-service media versus the Nordic model: the licence that would not die A European reader who still thinks Ireland “has a BBC model” is a decade late…
The business of Irish media: licence fee, Exchequer top-up, and the streamer next door Irish media is a cultural conversation that sits on a cashflow statement.…
Second-generation Irish audiences in Europe: citizenship, habit, and the missing shelf MSMN’s earlier diaspora-festivals piece asked how Irish film weekends tur…
Finding Irish film in Europe: why production records are not audiences Ireland can point to record production spend, a thicker VFX offer and a strategy document…
Film literacy in Irish schools: a European habit, not a cinema trip A European reader who treats film literacy as an optional school outing is looking at the Ir…
Irish music and festivals on the European live circuit A European summer now has an Irish date in it even if you never fly to Stradbally or Sligo. Irish artists…
Women’s football on Irish screens: rights, public service and the European season A European football weekend used to mean a men’s rights map: free-to-air inter…
Who owns the Irish story? IP rights after the DSM Directive A European viewer who finishes an Irish drama, a TG4 crime series or a Cartoon Saloon feature is con…
Data centres, streaming and the carbon bill behind the Irish catalogue A European evening of Irish or American television looks weightless: a tile, a Player, a…
3 days ago
· 7 min read
· By MSMN Newsroom
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